A Very Happy Thanksgiving!

I seldom show my family or post purely personal experiences, but felt like thanking God one more time with a few images from our holiday gathering. For both my husband and me, celebrating with a large extended family has not been possible for--well--for decades. Our siblings, nieces and nephews all live a distance away and are scattered in various eastern and Great Lakes states. Even our immediate family has not been able to gather very often, due to distance and other factors, until this past year. Our California son and his wife moved to the Atlanta, Georgia area a little over a year ago, and our other son and his wife live right here in Jacksonville, Florida.

We feel deeply grateful to have our four wonderful "kids" (have to count the amazing women the boys married as our own, too) fairly nearby. Last Thanksgiving the six of us celebrated in Jacksonville with a meal on Thanksgiving Friday so that one couple could gather with her side of the family on Thursday and to make travel simpler for the others. However, our Georgia daughter-in-law gave up considerable income to be with us on Friday and Saturday. So this year, we all met at their home south of Atlanta. None of us can stop talking about how terrific it was to be together again this year.

The photos show Sumry's beautiful table setting, the fantastic cooks (Ashley and Sumry--Husband, Mark did a lot of baking, too, and I made a dish, but had the easiest holiday ever), the expert clean-up crew (Dirk and Pete), and the guys watching the turkey deep fryer (until we moved south, I never would have believed that a fried turkey could be so juicy, non-greasy, and delicious--not to mention the under-an-hour cooking time). Extra points to readers who can untangle that ridiculous sentence! The pictures also show what gorgeous weather we enjoyed for the day.

This comes with prayers and hopes that all of you have enough of what really matters in life and that you live in thankfulness and peace.

Open Studio Reception -- a Great Party

Our daughter-in-law outdid herself catering our Open Studio Reception last week. All the food was absolutely delicious, and the table looked festive and appealing. The irresistible desserts looked lovely on a buffet on the side, and our guests certainly did them justice. A fine calligrapher, Ashley made little signs for each dish so that there was no mystery about the food. UPDATE: I have added an index to all blog posts about planning and holding an art reception. Access it here. 

I would have liked more photos of the whole scene and the guests interacting, but hosting and mingling (and attaching those wonderful "sold" stickers to some paintings) were much more important. We were fortunate with the weather; although it was cloudy, the afternoon steadily brightened and became milder, but not hot. You see a few of the guests enjoying the gentle breeze in the backyard.

For the artists among my readers--and anyone else interested--I will soon post more information about the reception details. Important features of the day like the guest book, door prizes, sales tax, receipts, and studio policies all needed to be considered, planned, and set up in advance. You may find ideas for your own parties and for art marketing.

Question of the day: Isn't it fantastic that we can share events and information through blogs?

Set-up for the Open Studio Reception

Our Open Studio Reception this past Sunday afternoon was a wonderful event in every way. It will take me a few posts to tell you all about it. The support of my rock (husband Mark), the incredible catering of our daughter-in-law, Ashley (with her able assistant, husband Pete), the classy piano music of our friend Greg, and the warmth and encouragement of many friends and neighbors made this possible. Given my shy, introverted nature, planning--even considering--this kind of event is extremely daunting. But my life has been enriched over and over by the times that I push myself way out of my comfort zone to achieve a new goal--like staging this event. UPDATE: I have now added an index to all blog posts about planning and holding an art reception. Access it here.

These photos were taken the afternoon before on a heavily clouded day. I had hoped for brighter weather on the day of the reception, but it stayed quite cloudy all day Sunday. Thus, some photos are too dark too show you, and none of them quite do justice to the display of paintings shown all around our home. In these, you see a pair of 5" x 7" marsh paintings atop a chest of drawers in our bedroom, scenes from two very different local beaches hanging in the guest bedroom (one 18" x 24" and the other 12" x 16"), and a 9" x 12" sanderling in the surf on a nightstand.

Altogether, I showcased 17 paintings of coastal North Florida scenes in various sizes and prices. I sold two immediately and have several people considering investing in some of the larger pieces. Last time we held an Open Studio Reception, two major paintings sold about two weeks later, once patrons had time to think it over. I always offer a full refund for any reason because it is important to give buyers a chance to try a piece out in their home or business to make sure it works well for them. All my artist friends tell me that selling even one piece at this kind of event is good, that giving people an opportunity to see the work is the main purpose. The first time we tried a reception like this, I was truly amazed to sell a total of 8 paintings (counting those sold later as a result of the showcase) and of course, did not expect a repeat of that.

Then, to my surprise, I sold a painting that was not for sale! A gentleman was asking about my earlier work and admiring a scene of dunes and sea that I had done on heavy art paper about 8 years ago--early in my painting career. I told him that it had never mounted properly and pointed out some air bubbles under the work. To encourage myself, I had framed it anyway because I liked the way it had turned out. However, I had never offered it for sale because of the mounting flaws. Undeterred, he made a fair offer for the piece--and I made a totally unexpected sale.

Question of the day: Don't you just love it when an unexpected bonus comes your way? I give thanks for even the very minor serendipities in life.

New Small Painting of a Tropical Beach--Fantasy Get-away

Our week and weekend have been crazy--in a good way. I don't have much time right now to write a post, but don't see a better time in the next couple of days.

So, here's a quick post to show you a small new piece, painted on 5" x 7" gallery wrapped canvas, where the image wraps around the sides. I gave this tropical scene as a gift to friends for whom it has special meaning. In planning the composition, I used a blend of my imagination and reference photos from a very special vacation to Belize from some years ago and from a beach in the Dominican Republic. When we lived in the Atlanta area, our church sent groups to the DR for a number of years, bringing simple medical services and helping seed some small enterprises in mountain villages. I was fortunate to be able to go on several of those trips. Given the difficult drive down the mountain to the airport on the northern coast, we convinced ourselves that we really needed to go down the day before our morning flight back to the U.S. Thus, the group spent the final afternoon and evening of each trip at a small beach resort--not too hard to take :>).

So this is a departure from my usual focus on painting the beauty right here in coastal North Florida. Hope you enjoy it as a fantasy get-away; I added a hammock just for you.

Question of the day: What would make a perfect dream vacation for you?

Open Studio Reception Coming Soon

I am excited that we are again opening our home (and my little art studio) for a reception in a couple of weeks. Our local daughter-in-law, Ashley, will cater, which will make this event much, much simpler for me than the previous reception two years ago. She makes amazing party food and is a super hostess, too. Again, we are fortunate that our friend, Greg Spiess, a super party pianist, will provide music for the gathering. UPDATE: I have now added an index to all blog posts about planning and holding an art reception. Access it here.

A number of items on my planning list are checked off, leaving a task list that seems manageable. It was a wonderful feeling to put a big batch of postcard invitations in the mail this morning; a few more await completion once I locate addresses.

If you are reading this, you are definitely invited! What a treat it would be if blogging friends from far and near could be magically transported to our home in Jacksonville, Florida to join us. But perhaps some of you are nearby and as yet not personally known to me; if you are interested, come on down!

The postcard invitation, pictured here front and back, really looks great. On the advice of some artist friends, I order business cards, postcards, etc. from Vistaprint online and have been pleased with the results and the reasonable price. I even was able to order a nice tote bag imprinted with the same image, which will be one of the door prizes for the day. Now, to finish the last couple of smaller paintings which will be displayed (and for sale) all around the house.

Our Visit to Georgia and FDR's Warm Springs Home

We have returned from a delightful week with our Georgia son and his wife; they completely spoiled us while we were with them. Although we lived in the Atlanta area for about 9 years before moving to Jacksonville, Florida, visiting their home shows us a completely different side of the city from our old stomping grounds in the northern suburbs. Both areas are beautiful, with hills and gorgeous natural vegetation. But now we have an opportunity to be tourists again, taking drives (while they are at work) to places we have not seen before. Poking around wherever we are (including near home) adds a creative dimension to our lives.

This time, we drove to Warm Springs, GA, and toured the "Little White House", seeing the grounds and home of the modest retreat where Franklin Delano Roosevelt stayed whenever he "took the waters" to soothe the pain of his polio and to increase his mobility. The exhibits, short film, and personal possessions housed in the museum on the property fascinated us both. Seeing the personal side of this great man was more moving than we had expected. The cottage (seen in these photos) is charming and surprising in its simplicity. FDR unexpectedly died in this house; he felt ill while sitting for a portrait (now displayed in its unfinished form in the museum) and doing presidential paperwork. He retired to his bed and died within a few hours from a cerebral hemorrhage.

The historians have made every effort to keep the home and outbuildings unchanged from that day (except for welcome modifications, like air conditioning). The buildings just inside the gate housed Secret Service personnel and the few servants who cared for FDR, his family (when they came), and visiting dignitaries who sometimes stayed in two simple guest rooms in the rustic home. One photo shows a custom built 1940 Willys Roadster equipped with hand controls; a 1938 Ford convertible fitted with the hand controls Roosevelt himself designed is in the museum. He drove both for pleasure and to keep himself in touch with ordinary people, visiting and listening to the stories of both black and white rural Georgians whenever he was in residence. Another photo shows one of four Marine Corps Sentry Posts just off the corners of the cottage.

Here, we were reminded of the formidable challenges FDR faced as president of the United States through the Depression aftermath and World War II. But more striking to us was the vivid depiction of his personal pain and struggles and his daily courage as he continued to work at a punishing pace and to encourage the nation. FDR's nobility of spirit shines clear. We saw his heart for others and his generosity in establishing the nearby Roosevelt Warm Springs Institute for disabled children and adults and in his work to remove the stigma and loneliness of polio and other disabling conditions and injuries. Our visit to the Little White House was memorable.

Question of the day: What historic site in the US would you recommend people visit (even those of us who are not history buffs)?

Painting of a Wooded Path

Here is the painting of a wooded path I showed you as a work-in-progress a couple of posts ago. Loosely based on a scene at our nearby Kingsley Plantation (which has appeared in a few previous posts and some other paintings), the piece is nearly finished. I have adjusted the light and shadow patterns on the path and have added some details in the upper right quadrant (the intended focal area). There will be a few more adjustments, but nothing that will be very noticeable in a snapshot. At least, that is my current thinking. Sometimes, I get a new insight after putting a nearly complete piece away for awhile.

However, I am wary of overworking a painting, a real temptation for a detail-oriented perfectionist like me. So, it's smart to stop before I feel that a piece is totally "there" and put it away for a time. I am much more likely to detract from a work by continuing to fiddle with it at this stage than to improve it much.

Given the sort of person I am, painting has been very good for me. Artistic pieces are never "perfect" or "correct" in the same sense that something like an algebra solution is. I am learning to enjoy the process above all and to let go of the need to keep trying to improve a painting that is "almost there". In art, there may be no "there" there--as someone said in another context. Looser work with some imperfection is often fresher, livelier, and easier for viewers to relate to. Stiff, overly fussy detailed work misses the mark in terms of communicating an artistic vision. Nature, after all, achieves its beauty in the variations, asymmetry, and yes, imperfections of living things and natural features of the landscape. So, for a representative landscape painter, letting go of perfectionism is the perfect approach.

Question of the day: What recent project or undertaking has proven to be a helpful corrective to your personal tendencies?

Early Autumn, North Florida Style

In North Florida, we do get distinctive seasonal change, which I truly enjoy--especially the coming of autumn. However, our autumn is quite different from the season I grew up with on Lake Michigan's shore. Although some of our trees change color, many are evergreen--or have leaves that just curl up and turn brown before they drop. Whatever "typical" autumn changes come this year, they are still a month or two away. I do miss the brilliant colors of autumn in places we have lived before. But even here, with the sun slanting at a lower angle and a softer hue in the sky, I still feel the same lift to my spirits as always. Some of you may find autumn a bit sad, a kind of ending. For me, it has always been enlivening. Maybe that's because I loved school and the beginning of the new school year. Brand new pencils, marching band practice, football mums from a special guy, and Orion rising in the night sky, are all a breath of fresh air. In fact, this is the time of year I am most likely to start a new venture, to renew my exercise program, and to make resolutions as the lifting of the heat provides me with newfound energy.

Here in coastal North Florida, late-blooming flowers are an early autumn bonus that comes with slightly cooler nights (and finally, sufficient rain). Our mandevilla vine waited even longer than usual to bloom this year, but has been lovely. Off and on for awhile, I have been working on a small painting of these brilliant blooms, but have not yet achieved the colors I want. It's frustrating. Florals can be much more difficult than you might think, and I am always impressed by the lovely paintings of accomplished floral artists. Maybe I'll need to be content with enjoying the real thing.

Question of the day: Have you lived in distinctly different climates at different times? How do you feel about the beginning of autumn?

Open Studio Class--A Creative Community

On Saturday, I again traveled over to Gainesville, Florida, for Linda Blondheim's Open Studio Class. For this class, we each bring our own works in progress (especially those that seem not to be progressing :>) to Linda's retail loft studio above the Paddiwhack shop. We work at tables or bring an easel and enjoy ample opportunity to ask for advice and direction as we plan or paint. Linda is an ideal art teacher; she respects each student's vision and style (never trying to push us to paint her way), yet offering keen insights and helpful suggestions to help us do our best work. I wish she were nearer, as the drive takes me over an hour and a half each way--but it's all well worth it whenever I can make the trip.

Six of us came to paint this time, so we had plenty of kind encouragement and the inspiration of participating in a creative community for a couple of hours. At her Art Notes blog, designed as a kind of on-line journal describing her work and thoughts, Linda has posted a photo of this delightful group with the pieces we worked on. In the photos here, you see several of us at work with Linda's guidance. In the background, you can see the amazing paintings Linda shows in her Paddiwhack loft. I include a photo (not the best shot, I fear) of my 16" x 20" woodland path "work in progress". The path itself needs the most work. Once that is in better form, I will spruce up other areas, especially the intended focal point in the top right quadrant, with a double trunk tree and some red-orange wildflowers catching the sunlight. Hopefully, I will have the final version to show you fairly soon, although I alternate working on this piece with several smaller paintings that are on a deadline, so it will take some time.

Question of the day: Under what circumstances do you prefer working alone on a project, and when do you prefer a creative community?

Painting Process--My Easel Set-up

Today, you see a typical set-up at my easel. For most paintings, I place an old piece of heavy poster board against the easel behind the canvas so that I can tape things to it for reference. Nearly all my landscape pieces are studio paintings based on actual scenes, so the main reference photos go up on the board first. Below, you see one of the marsh reference photos I am using for these small paintings. The other item you see in this easel photo is a sheet of paper with a couple of quick sketches and other notes. Many of you know that I am a planner, rather than painting completely spontaneously. However, the amount of advance planning varies for different paintings. This is a relatively simple example for a pair of 5" x 7" salt marsh paintings, currently in progress.

In the photo of the sheet of paper, you see that I have done minimal sketching for these pieces. Given their rocky progress to this point, I may have done better to prepare more detailed value studies, planning the balance of lights and darks--but I didn't this time. I also did less in the way of color studies than I might do for larger works, but I did explore some of the possible gold and buff mixes for the dry winter grasses. Notice (learned this the hard way) that I recorded the tube colors used for each mix and also wrote down the colors used for sky and water (though without a sample patch) and the list of tube colors for this particular limited palette. Some artists probably can do with less written down, but I often am working on several pieces at the same time, so one may be set aside for awhile. It definitely helps to have notes about color blends used when I return to a work in progress after some time has passed.

Linda Blondheim, my painting mentor, suggested this blog post topic when I journeyed over to Gainesville, Florida on Saturday for one of her Open Studio Classes. I am thrilled that she is offering this class again; she had stopped for a number of months, and I missed the guidance she offers painters with any work they bring to the gathering. When Linda saw this set-up, she felt that others might like a peek at my typical messy work board. You can find earlier posts on similar topics by entering "painting process" in the blog search box, top left of this blog. The June 28, 2010 post in particular shows the planning materials and easel set-up for a study of a shore bird--somewhat like this board. And, as always, you can click on a photo to enlarge it and see more detail.

Question of the day: What triggers, tools, or processes aid you in creative endeavors (whether "artistic " projects or creative problem solving and everyday living)?

Happy to Be Back Online and Back Home from Vacation

I am delighted to be blogging again on our brand-new IMac. Have missed all of you and hope to begin catching up on visits to your blogs as well.

Part of the reason it took awhile to post again is that Mark and I (and the intrepid Shih-Tzu traveler Magnolia) have been on the road for a couple of weeks to spend time with members of each of our families. After a rich time with people we love, we are happy to be home again--especially after putting over 3000 miles on the car. (Little known fact: if you try to type "miles" with your right hand on the wrong keys--due to ineptitude on a new style of keyboard--the result is "nukes". Glad nothing we did involved even one nuke, much less 3000!!!)

Our road trip took us from our North Florida home to Wisconsin via a visit in Tennessee. Oh no, here comes the "what she did on her summer vacation" part! Not to worry, friends, will keep it as brief and painless as possible. The photos show scenes from a hike to Cataract Falls in the beautiful Smoky Mountains where we enjoyed a weekend family reunion with my siblings and their families at a wonderful, affordable lodge just the right size for all of us. From there, we drove to Wisconsin to see Mark's siblings and their families--may show you a few photos from there in a later post.

Question of the day: Well, not really a question; a hope and prayer that all of you have loving, supportive friends or relatives in your lives.

Technical Difficulties--Will post again when I can

My beloved 7 1/2 year old IMac is in a coma, and I think I will let her go this time. So, I am typing from another computer, but don't have access to my photos, etc. I plan to take my time choosing another computer and will not be posting or visiting all your wonderful blogs for a few weeks. I look forward to communicating again later in the month.