Rather than describe all the details of the process, I'll summarize and readers who want more can follow links to more extensive explanations. To avoid pure white gutta outlines, I painted the entire scarf with pale yellow and yellow-green, wet-on-wet, before any drawing and let the piece dry. Then, with preliminary sketches as a guide to shape and placement, I lightly drew in the flowers and leaves with a water-soluble fabric pencil and then traced the design with gutta resist.
|Closer view of design details|
Painting on silk is always a discovery process, and I am still learning and growing in the art. This particular scarf turned out well, I think, and I am using a similar approach to create an autumn leaf design. Stay tuned.
Question of the day: For scarf wearers, what sorts of designs do you like best: flowers and other themes from nature, abstract, geometric, or other?