Handmade Dangling Earrings with Apatite Gemstones

     These earrings spark wonderful memories of a creative time shared with a good friend. Some time ago, we visited dear friends in the Cumming, GA area and enjoyed some sight-seeing together. One rainy day, Lenna asked if I would be interested in going to a bead store with her. The store owner was holding a super sale as she prepared to close her brick and mortar location to focus on her increasingly profitable on-line shop.

     My jewelry-making friend suggested that we make some jewelry together with our "finds" from the clearance sale, offering me the use of her specialized tools and providing whatever fittings I needed from her stock. What a treat! I had been taken with the rich color of the apatite stones on sale; only four were left in the diamond shape. So, I worked with them to make these earrings. My favorite jewelry accessory has always been an interesting pair of earrings (often, special earrings are a treasured souvenir of the trips we take).

     The reason I took photos now is that my husband's sister, who is very interested in and very knowledgable about gemstones and semi-precious stones, expressed a wish to see the earrings. Since she had forgotten to ask about them during their recent visit, I took a few photos for her. The penny helps show the size of the stones. I hope you enjoy seeing these apatite earrings, too. They are fun to wear and remind me of an enjoyable afternoon with a good friend.

Question of the day: Do you remember the fun of making crafts with friends as a child? Do you ever pursue crafts or art projects together with others as an adult?

Brand New Grand-daughter

     I cannot resist showing you a few photos of Ruby Dylan, whom we visited for several days (as well as her proud parents, naturally) in Georgia just after her birth. We, of course, think she is the sweetest, most beautiful newborn ever! She is just a few days old in these pictures, one with her absolutely thrilled grandmother (that would be me) in the little handmade outfit I showed you in the previous post.

     Up to this point, I have not used the blog for family news or pictures and promise not to make a habit of it. We are just so thankful and happy that one exception to the rule seemed allowable.
    

Crocheted Cuddle Cocoon for a Newborn

     I crocheted this wee cuddle cocoon for a our grand baby, due any day now. We are beyond thrilled to be expecting this precious child and will head up to Georgia soon after her birth. Her California grandma is already there to be with our daughter-in-law and son for a few weeks.
   

     Since we had a number of hand made blankets and a quilt to share from when our each of our sons was born, I hunted for a simple pattern other than a blanket. As she grows, I may work on sweaters for upcoming winters, but this little outfit brought swaddling clothes to mind and seemed perfect for her first month or so while the weather can still be

quite chilly in the Atlanta area. The design is one of five in a book called Cuddle Cocoons by Sandy Powers, available at Jo Ann stores or from this web site. Powers has written at least one other book of cuddle cocoon designs. All are adorable.

     The baby's mom and I both enjoy a slight departure from tradition in baby colors (like pink for girls), but I still wanted to keep the colors and textures soft for this outfit. The aqua yarn called to both of us right away, and the grey seemed a nice complement and more practical than pure white for the trim. The aqua yarn we loved was perfect for a different design in the book, but our daughter-in-law liked this tasseled outfit best. Since this pattern was written for a thinner yarn, I needed to make adjustments in the instructions. Good thing it's a simple sack shape--after a bit of a challenge in the shaping of the gradual increases, it was a straight shot to the top.

     I was excited to send this gift recently, and they were thrilled to receive it and love the design and colors. What a joyful time!

Question of the day: Do you enjoy sewing, knitting, crocheting, or similar creative pursuits? Isn't it wonderful that some young people still take up these crafts? 

October Travel in Tuscany, Part II

------Monastery

     Yes, I know October is some time ago, but I can't resist recalling and describing a few more of my very favorite places in Tuscany. See the first post about this trip here.

     The first four photos show the ruins of the 12th century San Galgano Abbey a little southwest of Siena. When we made a quick "comfort" stop in a cafe across from the abbey on our way to the medieval hilltop town of Massa Marittima, the abbey was so charming it was hard to leave. However, the weather steadily brightened, and by the time we returned for a more extended tour later that day, the abbey and its grounds glowed in the golden Tuscan sun. It stands in a quiet field and evokes deep peace and a truly spiritual atmosphere. I was thankful we were not rushed away after the guide's presentation because our time there was very meaningful to me. Although I enjoy revisiting the photos, they are not necessary for me; I can bring the scene and its serenity to mind anytime. It is among the pictures in my mind (saved up from a lifetime of experiences) that can calm me anytime.

     The other three photos depict a gorgeous family winery and vineyards where we revelled in an informative tour and very classy wine tasting. The Castello di Monsanto winery is the keeper of the largest reserve of Chianti Classico in the region. Prime Tuscan Chianti is in another category entirely from the straw-wrapped bottles that accompanied budget spaghetti meals early in our marriage! We could all imagine ourselves on the set of a movie or participating in the wedding of Italian nobility as we sipped and strolled the lovely grounds. As always, you can click on any photo for a larger view.

     Since I had been determined to travel as lightly as possible (see my post on packing for two weeks in Italy in one carry on plus a small backpack here), these photos were taken with my small Canon Power Shot A530. My newer, heavier camera did not make the cut. However, the photos this faithful workhorse of a camera produces are still pleasing to me.

Question of the day: What travel dream brightens your winter days?

Blog Hop, Part II--My Creative Process

A great blue heron, seen at  Jacksonville's Hanna Park

Somewhere in Michigan (a scene from memories)

     Thanks again to Mary Paquet for the invitation to contribute to the blog hop project by responding to four questions. I continue here with the two last questions (see my previous post for Part I). And don't miss Jo Castillo's post on Monday, Dec. 15; I "tagged" her to be next in the blog hop and know that you will enjoy her lively creative sense and fine art works.

3) Why do I create what I do?

     I have always enjoyed sewing, knitting, and crocheting, but did not believe I had any talent for the visual arts I so admired. My love for color and for the beauty of the natural world kept tugging me toward giving landscape work a try.

Castaway Preserve Cedar

Castaway Preserve Palms

     Finally, about 11 years ago, I signed up for a week-long class in acrylic painting at the John C. Campbell Folk School in North Carolina--expecting to enjoy playing with color and making creative messes, then to toss them and return home renewed and relaxed. Well, with an excellent teacher and time to practice and learn, I painted pieces that I really liked. No tossing occurred, and I was hooked! Now, with more workshops and lots more practice behind me, some pieces even sell. More importantly, I find continued delight in creating acrylic landscapes and learning more all the time. Another Folk School class this year started me in silk painting as well--a fluid, often unpredictable medium that gives me additional pleasure. Creating art is a whole new world for me and a rewarding pursuit in semi-retirement.

Jacksonville Beach

Jacksonville Beach

4) How does my creative process work?

     While considering this question, I used the little search box at the top of my blog and entered "painting process". Oh, my--I have written many posts that include discussion of the creative process in general and of the particular processes involved in individual paintings or silk scarves.

An early work--A favorite retreat near Warwick, NY

Silk scarf (using resist)

Silk scarf (natural blending--no resist)

     So, what are the common threads in varying processes for individual pieces? For processes in making the silk scarves, please see recent posts on that topic.
     
     Nearly all landscape paintings begin with a photo or a cluster of reference photos. Since I am endlessly fascinated with coastal North Florida scenes and want to convey the beauty and serenity I find in exploring out-of-the-way places in this area, I study angles of light, color (how to capture the incredible range of greens?!), and take notes to accompany the photos I take from various angles and distances.

     In the studio, the next considerations are composition (including tonal balance--the lights and darks) and color palette. In our area, good composition almost always involves leaving out some of the lush growth and sometimes other elements. Sketching--very roughly--a few possible versions of a scene, sometimes moving the point of view or focal point, helps me decide on a final version. Here are some previous posts that discuss composition.

     Choosing a limited number of colors helps both in unifying a painting and still gives an incredible range of possible hues. I don't try to match the actual scene so much as try to capture a feeling while staying in a realistic color range. Sometimes I go for low contrast and cool serenity, sometimes warmer, lively vistas. Again, here are some previous posts with more about color and palette for interested readers.

      Revision is the other most crucial piece of my process. The beauty of acrylics (especially for a learner like me) is that they dry quickly and cover well. I can paint over an area that does not please me, take out a superfluous bush, or whatever. Sometimes before a major change, I try it out by cutting a shape out of construction paper that approximates the change, tape it to the canvas, and squint to judge the effect on the composition.

     When wrestling with a piece that is not cooperating, it helps to remind myself that any work is a valuable learning experience (taking myself too seriously is fatal). At times, I put a painting away for a time and work on something else. A fresh look later on often yields a solution.

Question of the day: Do you enjoy hearing about the creative process or watching artists work? Or would you rather simply experience the art for yourself with no background or explanation given?

Around the World Blog Hop Entry--My Creative Process

   

Outside a back yard at Jacksonville Beach, FL

I was invited to join an Around the World Blog Hop (google that and be amazed!) by fellow artist Mary Paquet, whose work and blog I always enjoy and admire. Please visit Mary Paquet's blog to see for yourselves and for her Blog Hop entry on December 1. In turn, I have invited Jo Castillo, a delightful, talented artist and prolific blogger to post on Monday, December 15. All the past blog hop entries I have visited are fascinating as a variety of artists each answer four questions about their work and creative process.

     The invitation is welcome both because 1) I am a relatively new artist and 2) my blog is a mix of posts about both acrylic landscape painting and silk scarf painting AND lots of other aspects of creative living, including travel, cooking, exploring coastal North Florida, and more. I am honored that more established artists with more art-focused blogs to include mine. Thank you, Mary Paquet. My thoughts on the questions appear below (and, to spare you a truly endless post this time, will continue in a second post in a few days). Here and there a link will take interested readers to related posts on this blog. 

1) What am I working on? After a break from art due to travel, time with family and, well, the rest of life, I have several projects going now:

Matanzas River Bend

• finishing touches on a gift for a friend--a 12" x 6" piece picturing a Matanzas River scene, just off the Atlantic Ocean. My friend has always loved the Matanzas Inlet area, near St. Augustine, Florida.
• deciding what's next on a half-finished silk scarf with a purple iris motif; it needs more tonal contrast and/or some other revision (not pictured--stay tuned).
• designing and making a scarf for a friend who wants it as a Christmas gift for someone special to her. She has a color scheme idea, and is trusting me for the rest. How scary is that?



A favorite scarf, painted in March

• Finally, something new for me, planning a couple of paintings based on photos and memories of a recent time in Tuscany. Normally, I interpret scenes here in coastal North Florida because I know this area in depth. Can I capture the essence of a place only visited? Perhaps not, but I am hoping to convey my own impressions and appreciation of its beauty.

2) How does my work differ from others of its genre? Most bloggers, including me, regard this question as a stumper--hard to answer for oneself. Even some relative strangers have said that once they see a landscape I've painted, they recognize others as being my style, so the work does have distinctive elements. However, defining those elements is difficult. I'll mention a few common threads in most of the landscapes. Making scarves is simply too new for me to have developed a personal style; "experimenting" is the current mode in silk painting. (See posts on the week-long "art camp" silk painting class I enjoyed).  My landscape paintings usually include:

Another silk scarf favorite

• A realistic style--although I "edit" actual scenes for good composition; they are far from photographic.
• Many portray out-of-the way places that most people would pass without noticing. Prowling back roads, urban pocket parks, and nature preserves with my camera, I find quiet charm and beauty--painting ideas abound.
• Water appears in a fair number of works. Here in Jacksonville, Florida, we enjoy the Atlantic Ocean (from a surprising variety of beaches), the mighty St. Johns River and a number of other rivers, quirky creeks (some of which would be called rivers in other regions--they are wide!), still ponds, and our bewitching, ever-changing salt marshes. I love both being near natural bodies of water and the challenge of painting water.



Marsh in Fort Caroline Preserve

• Finally, the works reflect an effort to establish a clear focal point and visual path for the viewer.

Clear focal point, "Summer Reflections" 

3) Why do I create what I do?

4) How does my creating process work?

This post is long enough, so--hoping the blog hop police won't mind--I will post again in a few days with consideration of the last two questions.

   Don't forget to visit the delightful blog of fine artist Jo Castillo, who has agreed to be "tagged" as the next Monday blogger in this creative chain. Don't miss her post on December 15! 

Again, I am truly thankful to Mary Paquet for providing this opportunity. Given the many incredible blogs I have discovered following the chain from one creator to another, it took real self-discipline to stop browsing and post on time :).

Question of the Day: What are some delightful discoveries of people/ideas/visuals/blogs you have encountered recently as you browse the web?    

How to Pack Light--2 Weeks in Italy with One Carry-on and One Small Backpack

Tops: aqua rain-resistant jacket, in ivory color: a turtleneck, half-sleeve shirt, and long-sleeve jewel neck, sage long-sleeve knit, beige short sleeve knit, lightweight v-neck sweater, cable cardigan, rust short-sleeve knit (forgot to include in photo).  Bottoms: grey knit skirt, black jeans, grey slacks,  silky black pants. Also: scarves and black shoes.

     Packing light requires creativity, planning, and courage. Why courage, you may ask? For me, it requires courage because I like to be prepared for all possibilities. I need to radically pare down that "What if I need this?" pile in order to travel easily and lightly. The photo above shows the pieces that made the cut for two weeks in Italy in October. These clothes (plus, socks, underwear, nightshirt, etc.) easily fit into a small, wheeled carry-on case (20" x 13 1/2" x 9"). I also packed a sturdy tote bag that folds flat in case we bring home souvenirs and gifts beyond what will tuck into our luggage. If we carry an extra tote, of course, we need to check one larger bag. The small photo shows the comfy knits I wore for the flight plus the fleece jacket I carried.

Worn on the plane

     Instead of trying to pack enough different outfits for every day of the trip, I plan a flexible group of clothes, knowing that I will need to wash a few things along the way to wear again. When we will be in the same room at least two days, I may wash (using a few drops of shampoo) a shirt, a bit of underwear, and some socks--maybe even one of the lightweight pairs of pants--and hang them to dry. To me, this is simpler than dragging around a heavy bag with twice as many clothes; most of it just dirty laundry after the first few days. For longer trips, we pack the same number of clothes and either find a laundry that will wash, dry, and fold a load for a reasonable price per kilo, or we use a do-it-yourself launderette.

My luggage--lightweight and compact
(see the yardstick behind the wheeled case
for an idea of its size)

     My small backpack carries my toiletries, curling iron, medicine, Kindle tablet, logic puzzle book, small camera, chargers, and other small personal items. Since I usually carry the small backpack for sight-seeing with water bottle, camera, map, guidebook pages, emergency rain slicker (the cheap dollar store kind), etc., I do not use a purse when traveling internationally. A small case in the bottom of the backpack holds one credit card and enough local cash for incidentals that day. For crowded tourist areas more prone to petty crime, I use a slim money belt that rides around my waist under my clothes for cash and credit card. The money belt also safely holds passport, train tickets, and other papers when we are in transit--say running through a train station.

     Most of us know the basics of assembling a travel wardrobe: mix and match pieces, layers if the weather will be variable, a simple neutral color scheme with a few touches of your favorite, most flattering color. Add a few accessories (for me, scarves and earrings) to vary the look of these few pieces. In addition, each piece MUST serve more than one need. For our October travel in Venice and Tuscany, Italy, we did not expect to need dressy clothes. If needed, I would have packed one washable dressier top to wear with the silky black slacks.

      Our luggage is from the Rick Steves (of public TV) store on-line. What they sell is very lightweight, sturdy and durable, and fits international carry-on standards. My wheeled case converts to a backpack when that is handier. My husband used a slightly larger (but still carry-on) Rick Steves backpack with no wheels or stiff frame. It holds an amazing amount and can be stuffed into an overhead bin with ease.

Question of the Day: What is your favorite tip for creatively traveling light?   

October Travel in Tuscany--Gorgeous

     We recently returned from a long-anticipated (and long saved for!) vacation in Italy. Tuscany was the focus of our time there, with a few days in Venice before we joined an excellent AHI tour of Tuscan highlights. Over the years as we have dreamed of visiting Tuscany, I have considered various tours as well as the possibility of braving crazy Italian driving conditions and doing it on our own. This particular tour won me over immediately because one beautiful hotel was our home base--no packing up and moving several times to see various places.

     From our comfy nest at the Palazzo San Lorenzo hotel in the charming Tuscan hill town of Colle di Val d'Elsa, our delightful guide took us to a different destination or two each day. The excursions were varied and fascinating, from a sheep's cheese factory and tasting, to Siena and Florence, to an elegant winery, to tiny hill towns--each with its own distinctive history and charm--and to much more.

     The first four photos today show scenes in our home base in Colle, including the "new gate" (built in the 1200s--the center of town and its old gate further uphill are at least two centuries older) where we met the bus each morning.

     The other three photos were taken on a day trip to a couple of other hill towns. These images are from San Gimignano, a well-visited hill town with more medieval towers still standing than in most Tuscan towns. These towers were built by wealthy families, apparently to display their wealth and power. It was their form of competitive mansion showmanship. They may also have served defensive purposes at times. San Gimignano at one time had as many as 80 towers--14 still stand today.

     Even at midday, you can see mist partially covering
the tallest tower in the first San Gimignano photo. There was heavy mist in the valley that entire day, with sun breaking through on the hills. Atmospheric and lovely to see.

     According to legend, the Saint "San Gimignano" saved the hilltop fortress from barbarian invasions several times by miraculously calling in heavy fog to obscure the town and to confuse the enemies. The saint is credited with bringing Christianity to this area, which had been a Roman outpost, sometime in the 300s AD. The existing old city center and original walls date to the 1000s and 1100s. As at our other destinations, we enjoyed an informative tour of the town led by a local expert, then strolled on our own for some relaxed exploration before rejoining the group.
Question of the day: Have you traveled with a tour group? How do you feel about tour groups as opposed to travel on your own?

Enjoying a Lovely North Florida Beach

     A few weeks ago, we enjoyed a most generous gift; some friends gave us a 3-night stay at a beautiful beach house nearby. Since it had 4 bedrooms (and 4 full baths--glorious luxury!), some family members joined us. Our Jacksonville son and his wife spent some time with us, and Mark's Wisconsin brother and wife flew down for the entire time. 

     Although I spent much more time playing than taking photos, I have a few shots to show you. Two show a sunrise, the misty moments before the sun came up and then the sun rising just enough to hide partially behind a cloud (otherwise, it is too bright on the horizon for easy viewing or for a good photo). 


    Other than that, I won't go on with description--it's a wonderful place, and we had a great time, including some successful surf casting by our sportsman Wisconsin brother. He caught two gorgeous Pompano, which I understand are becoming rare in our area.

     We are truly grateful for the gift of this relaxing and renewing time with family and for the beauty of our coast.

Question of the day: What is your home area looking like this time of the year?

Creations by Various Folk School Students, Quilts, Scarves, Wooden Trunks, and More--All Hand Crafted

     When we took a week of classes at the John C. Campbell Folk School in North Carolina, Mark in clay pots thrown on a pottery wheel, me in hand-painting silk scarves, we joined dozens of others in about 12 different classes. At the end of our time there, we all gathered for a show of the many creations produced by students during the week. The entertainment at the gathering included country and folk classics played by a string group from the fiddling class that also met all that week. 

     Seeing the results of the excellent teaching and focused student efforts was amazing and inspirational. A commenter on this blog to one of my previous silk painting posts (thank you, Rosemary) suggested that I must have been Donna Kassab's "star pupil". Not so! (although I appreciate the compliment) All the students' scarves were lovely. One of the delights of working in a small class with other creative people is observing their varied approaches to using the medium. The first three photos show the hand-painted silk scarves exhibited by our class members at that end-of-the-week show. Sadly, two women had to leave early, and their gorgeous scarves were not available for the show. Still, I think you will get a sense of the differing original designs, the use of color in varied ways--and, hopefully, get a taste of how stimulating it is to learn and create with others at this excellent "art camp for adults".

     The group that made wooden trunks had begun the weekend before, choosing the type of lumber each would use and beginning the rough assembly. Then, they alternated between the wood shop and the blacksmith shop completing the trunks and applying layer after layer of finish as well as hand-forging the hinges and clasps. You see one trunk made by the husband of a silk painter--he used red oak, and she painted a red oak themed scarf to display with it. 

     For the rest, you see lovely quilts displayed behind the trunks (each made in one week!), wood turning products, hand-made glass beads, and the gathering for our final ceremonies and celebration. Click on any photo to see it larger. Thank you for viewing this post; I have loved reliving a super time. For earlier posts about our silk painting class click here.

 
 









Question of the day: What sort of class would you take, given the chance?