Details of New Painting and More About the Painting Process

The Lyons Club Park Boardwalk painting got off to a decent start in terms of composition, but some other aspects of the process were unsatisfactory at first and required revision. For those of you interested in the painting process, that is the topic today. The photos are close-up detail shots of the new painting I showed you last time as well as a photo of the entire piece.

As I mentioned last post, I shifted the viewpoint a bit from the reference photo, but you could see that I retained the basic elements of the scene without radical change. I raised the horizon line, which often seems to land in the horizontal center of my photos, because a painting should (almost) never be cut in half by a major element or line. I made small, grey-tone sketches of several possible compositions to consider and gridded over them horizontally and vertically into thirds (resulting in nine smaller rectangles). I try to place my focal point near the intersection of two of these lines, which is pleasing to the eye (these are sometimes called "sweet spots"). In this piece, I regard the center of interest as the area in the upper left third where a single tree stands and the boardwalk comes to a point and makes a sharp turn to follow the river bank. That is such a compelling angle that the viewer's eye is inevitably led there. But I include a path over to the right and then visual paths up, down, and around so that the viewer's eye will naturally move through the entire composition and find other areas of visual interest as well.

I thought I had chosen a perfect palette for this painting, but needed to change it along the way. I use a limited palette for each work, meaning a selection of certain tube colors which will blend well to create the entire range of color variations for the scene. Even though the viewer may not notice the use of a limited palette, the result is more pleasing and harmonious than using many randomly chosen colors would be. The palette I choose varies with the subject, weather, and season. This painting has no tube green at all; greens are blended from blues and yellows, and modified with red, purple and grey. After one change, the final palette consisted of cerulean blue, cobalt blue, paynes grey, dioxizine purple, cadmium yellow light, yellow ochre, cadmium red light, buff, and white. Although the photo is almost entirely in greens and blues, I wanted a livelier scene and added shades of purple in the water. Then, I used burnt sienna (a favorite color) to add a range of tones in the marsh grasses. This was a mistake, in my opinion. The burnt sienna did not blend well with the blues and purples I had used, so I put it back in the drawer and experimented with other shades for the grass. Some of our North Florida marsh areas include a sort of brownish burgundy grass that seemed likely to fit in, so I worked that into various spots in the grass along with some buff and greenish blends. This particular burgundy is a blend of cad red light, paynes grey, and a little purple (used with care--the purple is strong).

This painting came together a bit more quickly than sometimes (I am a sloooow painter). If you have any other questions about the painting process, please feel free to ask either in a comment or to email me (see profile for address). I enjoy sharing "shop talk" with interested readers.

Question of the day: What aspects of the painting process (if any) are of interest to you?

New Painting--Lyons Club Park Boardwalk on the St. Johns River

Join me on a spring walk in Lyons Club Park along the St. Johns River in Jacksonville, Florida. This new painting is nearly finished, but rather than waiting to post it, I decided to show it to you today. The revisions I still plan to make are so minor that the differences are unlikely to be noticeable in a blog photo. The piece is a 16" X 20" acrylic painting on gallery wrapped canvas, so can be hung without a frame. The scene wraps around the painted edges.

Today, I am showing you the painting and one of the reference photos I used. Next post, I will include some close-up photos of details in the painting and more information about the painting process.

You can see that I departed from the reference photo in terms of the viewpoint, the palette (colors), and some other details. The painting's viewpoint is a bit further away at a higher point along the walk by the marshy river bank.

Among the Jacksonville area's many lovely parks and preserves, Lyons Club Park is a well-kept jewel. Birds sing along wooded trails, and fish and other water creatures are abundant. We saw a number of people fishing along the bank while others paddled up to shore in canoes and kayaks. The water currents are varied and interesting as the St. Johns River runs straight north (unusual in the Northern Hemisphere) just before it turns east to flow to the ocean. We are on the east bank of the river looking north. The Trout River flows in from the west (out of sight from this view), and both rivers rise and fall with the ocean tides. So, the water is almost always in motion--sometimes lazy and sometimes powerfully choppy. Ripples and waves can run in nearly any direction, changing throughout the day, and sometimes swirling in eddies caused by the confluence of outgoing rivers meeting an incoming tide. It's a perfect place for a refreshing and renewing walk.

Question of the Day: Does your area treasure and preserve its natural habitats and beauty?

Exploring--A St. John's River Park in Jacksonville, Florida

I hope you enjoy seeing scenery in and around Jacksonville, Florida, because this post has more :>). Since both our super sons and their wonderful wives were busy on Mother's Day, Mark and I enjoyed a quiet afternoon. The weather was so spectacular, clear and pleasantly warm with a light breeze, that we decided to take a walk in a park we had seen only briefly before when we were house-hunting seven years ago. The Lyons Club Park (that's the way the map spells it), lies on the western edge of a point of land along the St. John's River just before this north-flowing river makes its last winding turn east to empty into the Atlantic Ocean several miles from the park. After a delightful walk, we took a peek at a second lovely park, a preserve area just across the main road on the north edge of the point. Always on the lookout for "paintable" scenes, I took some photos as we walked in Lyons Club Park. One shows typical vegetation along one of the well-kept paths. Another looks back at the way we had come, a park boardwalk along the marshy river bank. The third shows the industrial port views across the river at this point, an interesting contrast to the parks and preserves that line some of the river bank, the lucky riverfront homes, and to the city skyscrapers and urban river walk downtown. We continue to be grateful that we chose Jacksonville for our home in this semi-retirement phase of life (and beyond, we hope). The variety of wetlands, wooded areas, beaches, and extensive preserve lands--the varied habitats and ecosystems are amazing. What a super home for a landscape and seascape painter! Exploring and discovering new areas of natural beauty are an important part of creative living for us.

Question of the day: What are the best natural features of your area?