Second Show of Paintings at Paddiwhack Gallery

     I am thrilled to have a second opportunity to show paintings in the featured "nook" at the front of the wonderful Paddiwhack Shop in Gainesville, Florida. It is an honor and privilege to have works hung together in this premier location in the store. It has been about a year and a half since I last exhibited there. This group of pieces (plus one called "Sanderling in the Surf", which is featured elsewhere in the shop) shared the coveted pre-holiday time period with Paddiwhack's unique selection of holiday-themed items. Of course, all the other delightful treasures Paddiwhack is known for are also available in their wonderful, large space. As always, you can click on a photo to enlarge it.


     All the pieces in this exhibit are new to Paddiwhack. Given my slow painting pace and the various life events that occurred and kept me from painting at times in recent months, it was a challenge to produce and mount the 12 works shown at the shop. Since I have at some time posted about the Coastal North Florida explorations that led to the subjects for these works and about the painting process for each piece, I won't discuss that today. 

     One goal for this exhibit was to present a greater variety of sizes and prices than I had in the previous exhibit. The little pair of 5" x 7" marsh paintings seen on the chest near my artist's statement and business cards are the smallest, while the largest are two 18" x 24" paintings above that chest on the left. One shows a winter day at Big Talbot Island Park here in North Florida, where waves are gradually undermining a bluff causing trees, one by one over time, to fall into the water. The other represents a view of the St. Johns River by the National Historic Site at Kingsley Plantation. Whoops, there is one other in that size which the shop had kept from my previous exhibit--a view of the Atlantic Ocean at Jacksonville Beach, looking over the dunes and a foot bridge--seen on a side wall. 

     Thank you all for your good wishes as I recover from total hip replacement surgery. I am amazed and deeply grateful for the miracle of a new joint, for freedom from long-standing, constant pain, and for the wonder of growing strength and mobility the surgery and excellent physical therapy are making possible. I feel like a new woman!


Question of the day: Are you considering small, locally owned businesses like Paddiwhack and goods made in the USA in your holiday gift shopping?

Newest Painting Is Complete--"River View at Kingsley Plantation"

     I felt a little rushed to complete this 18" x 24" acrylic on gallery-wrapped canvas in time to deliver it to Paddiwhack Gallery for a special exhibit. However, I am quite pleased with the result. "River View at Kingsley Plantation" utilized my cabbage palm painting photos and study, mentioned in the most recent previous post. It may not seem like a big deal to everyone, but creating the palm trunks and especially the palm canopy (and even the part of a canopy visible on the far right) required special study and careful work.

     Then, the first try after my studies produced a very nice canopy on the furthest palm away from the viewer (which appears in the middle of the three seen), but I painted much of it out and started again. That canopy had been very high on the canvas and was not seen in full (in other words, the viewer of the painting saw maybe the lower two-thirds of it at most). On e-critique advice from Linda Blondheim and on further reflection myself, I concluded that for good composition and better balance, that entire palm canopy needed to be lower so that it would be seen in full. Other changes from the main reference photo (seen below)--made to enhance the composition--included painting in a more interesting sky, adding a kite, which is one of Florida's gorgeous soaring shore birds, and simplifying the tall grasses.  My literal rendition of the bulkhead along the river at the Kingsley Plantation National Parks historic site bothered Linda. She would have preferred a softer, more organic, curving line, perhaps of the mud flats that line the river bank at low tide. I did consider her suggestion to replace the bulkhead, knowing that it would certainly work well. However, in the end, I stayed with the straight  bulkhead as it is, partly because viewers who have visited Kingsley Plantation have seen it there and partly because something about the sharper angles appealed to me as a change from some of the softer composition edges I have used in other pieces. 


     You can see other changes from the actual scene that I made in the painting. But, you can also see that this particular photo already represented a composition that appealed to me without major rearrangement. Compared to the times that I have used a reference photo that had appealing elements but was not composed well and required major revision in painting, beginning with a solid photo composition is much simpler and more satisfying.

Question of the day: Do you personally prefer fairly realistic--or even near photo-realistic paintings--or some other type such as impressionistic or abstract?

"Sea Oats" Painting Revisions

     "Sea Oats", a 12" x 16" acrylic painting, is still a work in progress, but I think some current revisions have improved it. The newer version seen above now hangs on the studio wall for consideration. This piece will be part of a special exhibit I will have at Paddiwhack Gallery in Gainesville, Florida in less than a month. In spite of some on-going personal obstacles to getting maximum work done right now, I am determined to complete this painting and one larger piece in time to hang in Paddiwhack's honored front nook for a six week mini-show with other recent works. A previous post showed you the first exhibit I brought to this amazing store back in the spring of 2011.

     Some of you were very complimentary about the earlier version of "Sea Oats" I showed you awhile ago--seen below--but it wasn't quite satisfactory for me. It was too "pink" for my taste (others will differ on palette preferences, of course) and lacked punch. My mentor, Linda Blondheim, agreed, calling it a "pretty enough" picture, but also feeling that it was somewhat bland. 

     So, having added more tonal contrast, a more interesting sky, and more variation in the tones of the grasses and sea oats on the dune, I am happier with the piece. I have also reduced the power of the pink areas, substituting some quiet golden glow. Still am considering some minor adjustments, and may (or may not) change the placement of the birds (which will be sharpened a bit once their location is definite). Since I have signed up for one more week of Linda Blondheim's excellent e-critique, we will see what she thinks of this work once I have one other, larger piece ready for her assessment as well. She is a super teacher and guide and always understands that I may or may not include all her suggested revisions in the final form. As I have confessed to you before, I always have trouble knowing when a painting is finished (or finished enough, given that one could continue revising indefinitely--a process that eventually begins to detract from the vitality and impact of a work). So, Linda's assessment is also tremendously helpful in making that decision to sign a painting, give it a protective coat of medium, and consider it ready for prime time.

Question of the day: In any undertaking, do you agree that the assessment and revision process is almost as significant as the original concept for a good outcome?

Open Studio Class--A Creative Community

On Saturday, I again traveled over to Gainesville, Florida, for Linda Blondheim's Open Studio Class. For this class, we each bring our own works in progress (especially those that seem not to be progressing :>) to Linda's retail loft studio above the Paddiwhack shop. We work at tables or bring an easel and enjoy ample opportunity to ask for advice and direction as we plan or paint. Linda is an ideal art teacher; she respects each student's vision and style (never trying to push us to paint her way), yet offering keen insights and helpful suggestions to help us do our best work. I wish she were nearer, as the drive takes me over an hour and a half each way--but it's all well worth it whenever I can make the trip.

Six of us came to paint this time, so we had plenty of kind encouragement and the inspiration of participating in a creative community for a couple of hours. At her Art Notes blog, designed as a kind of on-line journal describing her work and thoughts, Linda has posted a photo of this delightful group with the pieces we worked on. In the photos here, you see several of us at work with Linda's guidance. In the background, you can see the amazing paintings Linda shows in her Paddiwhack loft. I include a photo (not the best shot, I fear) of my 16" x 20" woodland path "work in progress". The path itself needs the most work. Once that is in better form, I will spruce up other areas, especially the intended focal point in the top right quadrant, with a double trunk tree and some red-orange wildflowers catching the sunlight. Hopefully, I will have the final version to show you fairly soon, although I alternate working on this piece with several smaller paintings that are on a deadline, so it will take some time.

Question of the day: Under what circumstances do you prefer working alone on a project, and when do you prefer a creative community?

New Marketing Flyer for Gainesville, Florida Exhibit of Paintings

I am very pleased with the look of my new marketing flyer, prepared for the exhibit of my paintings at Paddiwhack in Gainesville, Florida. I think you can enlarge it by double-clicking on the image. A few posts ago, I showed you the grouping of paintings there and the Artist's Statement written for that show (it is framed and standing near the paintings). Both these publicity pieces will be useful in other contexts as well; I did not want to go to the time and expense of preparing and printing them just for this six week event.

I am grateful to painting mentor Linda Blondheim for excellent advice, generously shared, as I wrote and prepared these materials and to Lori Taylor of Trends Home Decor for layout assistance and low-cost printing for both pieces.

Whenever I visit other artists' shows, I pick up any well-done publicity pieces that are available. For one thing, I enjoy visiting their blogs and web sites and sometimes strike up an email correspondence with some artists, so like to have their contact information. The other reason I keep these materials on file is that they are helpful when I need to prepare my own publicity materials. Of course, I do not copy what another artist has to say. But, as you know, if you have tried to write any publicity piece from scratch, it can be very difficult. For me, it is doubly difficult to write about myself and my work--even though I enjoy sharing the works and their stories. I just feel blocked and shy about it. Viewing and reading the materials of others helps me get started.

So, I hope that others among you might find the ideas, layout, or other features in this flyer useful. Do not plagarize please :>), but feel free to use this or the artist's statement from the earlier post as a springboard for your own publicity materials. As I am inspired by all of you and your creativity (and I don't mean only the practicing "artists" among you, but all the bloggers who share thoughts and visuals), I hope that you find something stimulating or fun in this post.

Question of the day: Do you also find preparing publicity materials--or any necessary writing you are called to do--difficult, especially getting the process started?

The Lovely Kanapaha Botanical Gardens In Gainesville, Florida

A couple of posts ago, I mentioned that Mark and I had visited the Kanapaha Botanical Gardens in Gainesville, Florida for the first time after dropping some paintings off at Paddiwhack. The gardens are well-established and extensive without requiring miles of walking to see various types of gardens and natural environments. In fact, one can see most of the gardens with less than two miles of strolling. The natural features include a view out over a large lake, so lush with vegetation that it's hard to see, and the Kanapaha Prairie beyond it, in a long view from a high point (at least high for Florida :>) in one of the photos.

Other photos show the hummingbird garden, with gazebo and some bright red flowers and an interesting fallen tree that forms an archway over the path.

I am glad to be posting again after traveling to Charlotte, NC to help a friend who will be relocating there. When I returned and tried to sign in, Blogspot seemed to be experiencing difficulties. It took a couple of days and some work to reestablish and post on this blog. Soon, I will be visiting your blogs as well, now that we (I hope) are up and running again.

I hope all readers in the United States are enjoying a relaxing, yet meaningful, Memorial Day weekend as we honor and remember all those who have served us and our country in the past, as well as the many Americans currently serving us in military service. Our gratitude is sincere and profound.

New Painting Exhibit at Paddiwhack in Gainesville, Florida

I know I said that I would post my new flyer next, but couldn't resist showing you this lovely display of eight of my coastal North Florida landscape paintings. I am thrilled with the grouping the owner mounted Wednesday afternoon in the prime exhibit area of Paddiwhack in Gainesville, Florida. The photos (double click to enlarge) also give you a small glimpse of the wonderful, eclectic collection of goodies sold in this fine shop.

Mark and I dropped the paintings off early Wednesday afternoon, then had a glorious, fresh, well-seasoned lunch (we LOVE breakfast-all-day places) at The Flying Biscuit Cafe a few doors down in the same strip mall. We spent a couple of fun hours at the Kanapaha Botanical Gardens--which I must show-and-tell about in another post soon.

As we had done in our visit a few months ago (see 1/31/11 post), we brought a chilled bottle of good wine in a cooler and purchased lovely cheese at The Fresh Market next door to Paddiwhack, a rosemary baguette and a couple of other goodies at the Upper Crust Bakery down the row. I'm telling you, this particular strip mall has terrific stores (feel so privileged to have my paintings in this popular Gainesville, Florida spot!). We joined my beloved painting mentor, Linda Blondheim, in her studio/showroom loft up in the back of Paddiwhack for wine, gourmet snacks, and good conversation.

By the time we returned to meet Linda, the owner had hung my paintings. They will show here for six weeks, through the end of June. The top photo shows six of the pieces on a side wall just to the right as customers enter the store. In the second photo, you can see a two more, one on a blue partial wall just before the large main section of the store, and the other on the back of a piece of furniture which faces into the shop. The small honey-colored frame standing on a chest in the corner displays the artist's statement I showed you last time with my business cards on a pottery stand next to it. The flyers I made for the occasion are on the highboy beneath the six pieces. This show is an amazing opportunity, for which I am very grateful.

Question of the day: Isn't life astonishing sometimes? How did I get here from taking a painting course just for fun not too many years ago?!?

New Artist's Statement--Landscape Paintings in a Gainesville, Florida Shop

Tomorrow, we will deliver a collection of eight landscape paintings to Paddiwhack, a delightful shop in Gainesville, Florida. I have been working hard to prepare the pieces for the exhibit; they will hang in a featured nook in the front of the store for six weeks. Two new publicity pieces are also ready, a flyer for people to pick up, which I will show you in the next post, and this framed artist's statement. You should be able to click on it to make it larger.

Exploring--Unique Shop and Linda Blondheim's Painting Loft

On Friday, Mark and I drove inland to Gainesville, Florida, home of the University of Florida and of Paddiwhack Gallery, a unique treasure trove of art, furniture and accessories for the home as well as jewelry, wearable fabric art, and so much more. Our primary reason for the drive was to visit Linda Blondheim, my dear friend and painting teacher and mentor, in her new loft overlooking this large gallery/shop. Linda greets clients and friends there four afternoons a week in a warm, homey space full of her gorgeous central north Florida landscape paintings. Linda brewed us excellent coffee, offered us comfy chairs, and we enjoyed a long chat about a variety of topics. After awhile, Mark brought up our cooler with a nice bottle of Chardonnay. He had also found rolls from an excellent bakery in the same shopping area and mixed nuts from the Fresh Market next door to Paddiwhack.

What a lovely afternoon! If you are ever near Gainesville, don't miss the experience of spending time with Linda, who manages to combine the best of southern hospitality and a welcoming down-to-earth warmth with a lively mind and a sincere interest in her visitors. Two of the photos show Linda's loft (one with the artist herself seated at a table); the third photo is a small glimpse of Paddiwhack Gallery showing a nook in the front of this large, goodie-packed shop.

Come May and June, I will be the featured artist with paintings in this nook, which is just to the right of the front door as people enter. Of course, I am excited and honored to have this opportunity. Since I had not seen the shop before, you can imagine my delight in getting a look at the space where my work will hang and an opportunity to meet the owner and his knowledgeable staff. They answered my questions and offered advice that will help me prepare my exhibit.

Question of the day: What would make a perfect day's outing for you?