Open Studio Reception Coming Soon

I am excited that we are again opening our home (and my little art studio) for a reception in a couple of weeks. Our local daughter-in-law, Ashley, will cater, which will make this event much, much simpler for me than the previous reception two years ago. She makes amazing party food and is a super hostess, too. Again, we are fortunate that our friend, Greg Spiess, a super party pianist, will provide music for the gathering. UPDATE: I have now added an index to all blog posts about planning and holding an art reception. Access it here.

A number of items on my planning list are checked off, leaving a task list that seems manageable. It was a wonderful feeling to put a big batch of postcard invitations in the mail this morning; a few more await completion once I locate addresses.

If you are reading this, you are definitely invited! What a treat it would be if blogging friends from far and near could be magically transported to our home in Jacksonville, Florida to join us. But perhaps some of you are nearby and as yet not personally known to me; if you are interested, come on down!

The postcard invitation, pictured here front and back, really looks great. On the advice of some artist friends, I order business cards, postcards, etc. from Vistaprint online and have been pleased with the results and the reasonable price. I even was able to order a nice tote bag imprinted with the same image, which will be one of the door prizes for the day. Now, to finish the last couple of smaller paintings which will be displayed (and for sale) all around the house.

Learning and Growing--Painting Process for a Study of a Cypress Swamp

This work-in-progress is an 8" x 10" study using reference photos (I have posted two of them) from our visit to Babcock Wilderness Adventures, near Punta Gorda, Florida, on the Gulf Coast. I am considering what to paint on a 30" x 40" canvas waiting in the closet, which is larger than anything I have attempted so far. So, I am planning a few studies to try out some possibilities.

I first made full-page black and white copies of a couple of my photos to help me see the layout clearly. I love color so much that I have trouble seeing the "values" in a potential composition. "Value" refers to the relative lightness or darkness of objects, as if on a grey scale, and interesting value variation is a crucial element in good composition. Failing to consider value relationships can lead to a bland result, even if colors are varied and pleasing. I decided to make the sky and some of the background just a half-tone darker than they look in the photo so that the sunlight on the cypress trunks would draw the eye as the lightest areas in the piece. The reflections in the water also needed to be darker for the contrast and sense of mystery I hoped to achieve.

The actual scene has a cluttered appearance that is fascinating in nature, but not necessarily good in a painting. So, I decided to concentrate on the powerful cypress trunks themselves, to have some semi-abstracted vegetation on the far bank, and to leave most of the rest out. That one diagonal line in the photo is appealing, but just stole the whole show in my preliminary sketches (even though it was not intended to be a focal point), so I regretfully left that out, too.

I'll say more about the palette colors and later composition decisions when I post the final version--it is nearly done. Today, I wanted to show you the way I revised the scene before painting. Given that I was leaving out so much, the piece needed (in my opinion) a few more cypress trees. So, I played "cut and paste" with the photocopies until I had a pleasing arrangement of five trees, receding to the far bank. A rough line drawing helped in assessing placement.

Linda Blondheim provided very useful advice, as I was using her e-critique services during the early stages of this study. After getting the piece to the stage in the photo above, I had put it away while I completed a larger work and now am ready to finish it. Linda's question, "What do you intend as the focal point?" had me experimenting with a few possible finishing details. Soon, I will show you the result.

Question of the day: I love to hear about other people's thinking processes--in any context, whether is has to do with art or not. Do you find that interesting, too?

Growing--Exhibiting Paintings & Your Invitation to Join Us

My husband and I are delighted to invite all blog readers to join us for an Artist's Open Studio Reception on November 8. If the back of the postcard pictured here (which did not scan very well) is hard to read, click on the image to enlarge it. Or email me for information at lemmeneslandscape@bellsouth.net. UPDATE: I have now added an index of all blog posts about planning and holding an art reception. Access it here.

Many of the paintings I have been showing you on blog posts plus more will be available to purchase. However, we promise to allow guests to enjoy themselves--no hard sell here. You are welcome to stop in for snacks and a beverage, to enjoy live piano music, and to meet our friends and neighbors.

To enhance our Harvest Delights theme, our friends, the Lapinskis, will bring sustainably grown produce from their local farm, also available to purchase. They have warned me that our event is a week or two early for maximum harvest from their early winter crop, but they will bring whatever they have available. I know from experience that whatever they bring will be beautiful and yummy and that it will sell fast.

We hope that you will join us if you are in the area.

I have used the "Growing" heading for this post because it will be a first for me to show my paintings in our home. Although I am excited to be doing this, it is also surprisingly "nervous-making" and required a self-administered strong push to get me going on the planning.

Question of the day: Do you sometimes find that things you very much want to do are at the same time difficult to initiate?