Learning and Growing--Painting Process for a Study of a Cypress Swamp

This work-in-progress is an 8" x 10" study using reference photos (I have posted two of them) from our visit to Babcock Wilderness Adventures, near Punta Gorda, Florida, on the Gulf Coast. I am considering what to paint on a 30" x 40" canvas waiting in the closet, which is larger than anything I have attempted so far. So, I am planning a few studies to try out some possibilities.

I first made full-page black and white copies of a couple of my photos to help me see the layout clearly. I love color so much that I have trouble seeing the "values" in a potential composition. "Value" refers to the relative lightness or darkness of objects, as if on a grey scale, and interesting value variation is a crucial element in good composition. Failing to consider value relationships can lead to a bland result, even if colors are varied and pleasing. I decided to make the sky and some of the background just a half-tone darker than they look in the photo so that the sunlight on the cypress trunks would draw the eye as the lightest areas in the piece. The reflections in the water also needed to be darker for the contrast and sense of mystery I hoped to achieve.

The actual scene has a cluttered appearance that is fascinating in nature, but not necessarily good in a painting. So, I decided to concentrate on the powerful cypress trunks themselves, to have some semi-abstracted vegetation on the far bank, and to leave most of the rest out. That one diagonal line in the photo is appealing, but just stole the whole show in my preliminary sketches (even though it was not intended to be a focal point), so I regretfully left that out, too.

I'll say more about the palette colors and later composition decisions when I post the final version--it is nearly done. Today, I wanted to show you the way I revised the scene before painting. Given that I was leaving out so much, the piece needed (in my opinion) a few more cypress trees. So, I played "cut and paste" with the photocopies until I had a pleasing arrangement of five trees, receding to the far bank. A rough line drawing helped in assessing placement.

Linda Blondheim provided very useful advice, as I was using her e-critique services during the early stages of this study. After getting the piece to the stage in the photo above, I had put it away while I completed a larger work and now am ready to finish it. Linda's question, "What do you intend as the focal point?" had me experimenting with a few possible finishing details. Soon, I will show you the result.

Question of the day: I love to hear about other people's thinking processes--in any context, whether is has to do with art or not. Do you find that interesting, too?

Grieving--Suffering and Loss in the Gulf

It's hard to say precisely why it has been so difficult for me to write a post this past week. Somehow, when I begin writing anything, the devastation of the oil leak in the Gulf comes to mind and makes my topic seem trite. Although the present locations of oil coming ashore are quite far from us, and although we live on the Atlantic Ocean rather than the Gulf, it all seems very near and threatening when our sea birds fly overhead.

So, today I will express my grief and utter frustration with this ongoing disaster although I cannot offer any new insights. My sympathies are with the families of the workers killed in the initial explosion. The threat to marshes, shoreline, and all the life that flourished in this rich ecosystem before this accident is immense, with no end in sight. The destruction of the livelihoods of countless families is severe and ongoing. What more can any of us possibly say? We pray, but wish we could somehow do more.

The news footage of oil-soaked brown pelicans is particularly heart-breaking, as they cannot possibly understand their own suffering. Although not the most beautiful of birds, they are amazing creatures, graceful in flight and precision in motion diving for food. To me, they seem symbolic of all the loss and suffering that has occurred and that will continue for years, possibly decades. The healthy brown pelican pictured here proudly refused to yield an inch of its chosen territory on Jacksonville Pier when we walked out there several months ago. It is a magnificent bird. Considering the larger picture of human and natural devastation, I feel my share of responsibility as a consumer of oil products and can only mourn.

Exploring--Babcock Wilderness Adventures in Punta Gorda, Florida

Last week, Mark and I visited Punta Gorda, Florida, on Charlotte Harbor, a large bay off the Gulf of Mexico. Although it was much chillier than normal there (but a good 8 - 12 degrees warmer than we would have been at home in Jacksonville), we had a pleasant, relaxing visit to this beautiful area. We have explored other Gulf Coast cities and towns, but Punta Gorda was new to us. By far our favorite vacation outing was to Babcock Wilderness Adventures, a 90,000 acre working ranch and farm with an extensive nature preserve.

The history and present operation of the ranch fascinated us, but I won't report all that in this post. Interested readers can visit the Babcock Wilderness web site for more information.

The guided "swamp buggy" tour, lasting over 90 minutes, traveled through a variety of habitats, from sweeping Florida prairie, to deep woods, to silent cypress swamp. According to our guide, we were particularly fortunate in the number and variety of animals and birds we saw that day--many quite close. Several deer, one with a very young fawn, quietly watched us watching them, alert but showing no fear. Alligators who had found sunny spots on that cool day moved only a wary eyeball as we stopped to view and photograph them. Wild hogs and the unique Florida Cracker cattle breed are both protected here and gleefully ran to the bus (the hogs) or sauntered over (some of the cattle) to take corn feed from our guide. The photo ops were numerous, and I'll show you some of the animals and scenery in a future post.

Today's photos show a few of the magnificent birds we saw. The Great White Egret is taller than those we see in North Florida, but is otherwise very similar to ours. The Sandhill Crane blends so perfectly into the dry winter brush that we could spot it only by its characteristic facial markings. The male wild turkeys, apparently entering mating season, proudly displayed their tail feathers and strutted their stuff. Our visit seemed perfectly timed for sightings of these and many other birds, including ibis, red-tailed hawks, turkey vultures, and bald eagles.

Question of the day: What area within a four or five hour drive of your home would you like to explore, and what would you do and see there?