Not too long ago, I posted an entry about winter walks on the beach. This painting, Tide Pool Patterns, evolved from photos on a winter walk several years ago. That day, the Atlantic was in a rare indigo mood (the water color is never exactly the same from day to day, changing sometimes subtly, sometimes quite dramatically), and the waves were crashing very white. The receding tide had left shallow pools and interesting patterns and ridges in the sand. I think the earlier hours had been fairly windy, because the beach was more stirred up than sometimes. The view was interesting to me almost in an abstract sense, and I hoped to create a very simple, somewhat empty (if that's the right word) scene where the tonal contrasts, some strong, some subtle, and the abstract design would be the focus.As in many paintings, this one did not look right for quite awhile. When I painted the wavy patterns in the sand as they actually appeared, it did not work on the canvas because they slanted so sharply that they gave the impression of going steeply downhill. Not wanting to lose the texture and diagonal interest and yet needing a more realistic look, I fought the angles and patterns for several painting sessions until the sand appeared flatter. In the foreground, I sprinkled salt on the wet paint to create some sparkly dimension on a few of the ridges of sand. Even clicking on the detail photo probably doesn't show you that texture, but it's kind of nice. I feel fairly pleased with the final result, which I hope conveys a feeling of peace contrasted with the energy of the background waves.
Question of the day: Isn't it interesting what makes for visual interest and how central a part different kinds of contrasts play in what is pleasing to the eye?
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